On the color concept of the Song Dynasty grottoes
Author:
Affiliation:

Clc Number:

Fund Project:

  • Article
  • |
  • Figures
  • |
  • Metrics
  • |
  • Reference
  • |
  • Related
  • |
  • Cited by
  • |
  • Materials
  • |
  • Comments
    Abstract:

    Song Dynasty grottoes, the last stage of the Chinese grotto art history, mainly distributes in Dazu and Anyue, Yan'an, Lingyin, and Jiangyong.Dazu Rock Carvings are the most representative example:not only because they are a glorious summary of Chinese grotto art, but also because they are a typical text and a concentrated reflection of design of the Song Dynasty grotto art.Their unique color concept and expression form have distinct time and region characteristics.As the epitome of the grotto art of Song Dynasty, their color design reflects the characteristic of combination of shape and color as well as integration of the sacred and the secular.As a reflection of the Song Dynasty society, their color concept system is diachronic, conventional, synchronic, economic, technical, perceptual, unconscious, and metaphorical.As a materialization of the Song Dynasty culture thoughts, they marked the finish of sinicization and popularization of Buddhist grotto art, as well as the highly mature and systematic of Taoism and Confucianism grottoes.

    Reference
    Related
    Cited by
Get Citation

贾国涛,龙红.论宋代石窟色彩观[J].重庆大学学报社会科学版,2017,23(2):138~146

Copy
Share
Article Metrics
  • Abstract:
  • PDF:
  • HTML:
  • Cited by:
History
  • Received:June 11,2016
  • Revised:
  • Adopted:
  • Online: April 10,2017
  • Published: