In light of the planning of General Mountain Park in Zhangzhou and its execution, this paper intends to explore the relationship of spatial structure between the historical birthplace of Zhangzhou exploitation at the beginning of Tang Dynasty and the place where the first ancestors of Zhangzhou exploitation were buried. This paper then presents the artistic techniques and features of the spaces in General Mountain Park in respect of geography, planning structure and traditional courtyard. Thus, the conclusion is drawn in this paper that by means of the combination of modernity with tradition as well as the history with the realism, the spatial art is supposed to establish the Chinese traditional construction culture characterized by nationality and locality.