认知诗学理论的渊源与本土化研究
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The Origin of Cognitive Poetics Theory and Its Application in China
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    摘要:

    认知诗学是自20世纪70年代以来发展的一门新型文学理论。随着认知科学在世界各地的深入研究与发展,其理论已经渗透到其他领域。认知科学与文学批评被学者们结合起来,形成认知诗学,是学术研究领域跨学科结合的突出成就。论文探讨了认知诗学在国外发展的渊源、演变与现状,系统介绍了瑞文·初尔对认知诗学的贡献,分析彼德·斯托克维尔、乔安娜·加文思、杰拉德·斯迪恩、艾琳娜·塞名洛、乔纳森·卡奥佩帕尔等理论家在英美认知诗学发展过程中所做出的理论探索。同时,探讨了认知诗学在中国的发展现状,并简要地提出了将这一理论进行本土化的设想。

    Abstract:

    Cognitive Poetics is a newly-developed literary theory since the seventies the 20th century. With the development of the cognitive science worldwide, its theories have infiltrated into other fields of studies. Cognitive science is combined with literary criticism in an effort to form a new theory: cognitive poetics. It is an outstanding achievement of interdisciplinary study. This paper explores the origin, evolution and the status quo of cognitive poetics studies in the west. It analyzes systematically Reuven Tsur’s contribution to construction of the theory as the origin of the study and introduces the theorists, such as Stockwell, Gavins, Semino, and Culpeper, of same area in the UK and the USA relating to the development of cognitive poetics. Simultaneously, the paper advances the hypothesis that the newly developed paradigm of literary study should be regionalized and be endowed with Chinese characteristics.

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范云.认知诗学理论的渊源与本土化研究[J].重庆大学学报社会科学版,2010,16(2):147-151.

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  • 收稿日期:2009-12-27
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