The absence of a transcendent dimension and the suspension of ultimate concern in contemporary literature constitute a persistent and widespread malaise. This issue has been frequently pointed out by critics and deeply perceived by writers themselves. However, its manifestation in literary works often falls short of expectations and remains distant from readers’ desires. Beyond the influence of external circumstances, the fundamental cause lies in the writers’ inadequate philosophical penetration, which results in their lingering within the confines of empirical experience. This phenomenon is closely tied to the writers’ selective engagement with intellectual resources. Their alienation from tradition and detachment from classical texts have led to weakened thinking capacities and a constricted vision. In contrast, He Shiguang stands out as a rare and remarkable exception. Through his profound immersion in Daoist and Buddhist traditions, accompanied by experiential cultivation, he has attained a vision of ultimate concern and transcendent wisdom. With these insights, he re-examines both his own life and the lives of others, producing a series of autobiographical essays that chronicle his spiritual and contemplative practices. These writings offer an alternative path for articulating ultimate concern within contemporary Chinese literature. Illuminated by the principles and experiences derived from Daoism and Buddhism, his literary works exude both a sense of intimacy and a luminous wisdom. They not only provide solace amid worldly afflictions but also awaken a deep-seated yearning for the eternal. Whether in the examination of narrative motivations, the structuring of literary works and writing techniques, the introspection on personal life trajectories, or the systematic reflection on existence and the cosmos, all dimensions are situated within the coordinates of ultimate concern. Each element and detail is thus endowed with its rightful value and meaning. For instance, from this ultimate concern perspective, he offers novel interpretations of issues such as homosexuality, the relationship between sexuality and desire, and the critical readings of Dream of the Red Chamber. Consequently, these works are not only inspirational for literary creation but also provide profound spiritual comfort and intellectual enlightenment. Moreover, as a singular case, He Shiguang exemplifies the revival of traditional cultural values in an era marked by superficial reading. His work demonstrates both the efficacy of culture and the feasibility of engaging it in depth. Therefore, his series of contemplative essays contributes not only to literary creativity but also to the cultural renaissance and the remedying of contemporary maladies brought about by technocratic encroachment such as superficial reading habits and the fragmentation of knowledge.