寄至味于淡泊——宋代味论发展的文化考察
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The Thin Flavor is the Most Flavor: Flavor Category Development in Song Dynasty
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    摘要:

    作为中国文论重要组成部分的味论发展到了宋代,明显地不同于唐代,是将“淡”作为味论的审美理想广泛推崇。究其原因与庶族地主的崛起与平民文化的兴起,儒学朝理学方向发展的影响,宋代文人生活环境与心路历程,以及宋代文学形态和风格变化的要求密切相关。从中看到味论的延展性,也为考量味论融入当代文论体系提供重要的启示。

    Abstract:

    The theory of flavor is an important part of Chinese classical aesthetics In Song Dynasty, the ethos was pursuing thin flavor, which was different from that in Tang Dynasty The reasons for this essential change could be as related to the growing plebeian’s landowners and the thriving civilian culture It might also due to the infection of Neo-Confucianism, as well as clerisy’s habitation and mentality Moreover, the form of literature and the transformation of style might have played a role in such a change Reviewing this change, we found the possibility of extending the theory of flavor to a broader view And it also provides a clue about how the theory of flavor could be integrated into modern literature theory

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李知.寄至味于淡泊——宋代味论发展的文化考察[J].重庆大学学报社会科学版,2008,14(3):124-127.

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