Concept of “heaven and man”, “emptiness and fullness”, “artistically view” in Chinese traditional philosophy has a very profound influence on Chinese Dragon Dance. Virtually, the development of Dragon Dance can be considered as the most vivid and direct expression for Chinese philosophy. Not only should we pay close attention to the process of Dragon Dance, but also the spiritual connotation and unique prospective behind the materialized form. This article addresses the most important representation of Chinese Dragon Dance: Tongliang Dragon Dance, attempting to dissect this so called “The best Dragon in China” from the traditional Chinese philosophy perspective, in order to reveal the national characteristics and ethos contended by the art form of Dragon Dance.