创新时代下桥梁美学课程教学模式实践与探索
作者:
作者单位:

兰州理工大学 土木工程学院,甘肃 兰州 730050

作者简介:

杨国俊(1988—),男,兰州理工大学土木工程学院副教授,博士,主要从事桥梁美学研究,(E-mail)yanggj403@163.com。

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中图分类号:

G642.3;U44

基金项目:

兰州理工大学高等教育研究项目(GJ2021C-21;GJ2021A-6;GJ2021B-33)


Practice and exploration of teaching mode of bridge aesthetics in the era of innovation
Author:
Affiliation:

School of Civil Engineering, Lanzhou University of Technology, Lanzhou 730050, P.R.China

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    摘要:

    桥梁美学课程建设对培养桥梁技术创造力和美学创新素养兼备的综合型人才至关重要。为了落实立德树人根本任务,改变传统教学模式,提高学生的学习兴趣和创作参与感,积极探索创新时代下桥梁美学课程教学模式,提出了“以学生为中心”的BOPPPS教学设计方法,建立了以改革为导向的线上线下混合式教学模式,开展了以工程实践为指导的项目式教学,增加了以新技术为牵引的直播教学,整个教学中贯穿了“浸入式”课程思政。通过教学方法的综合应用,提升学生的课堂参与感和获得感,培养学生对桥梁技术与艺术结合的综合思维创新能力,促进作品设计的丰富性和表现力。此外,从桥梁美学专业课衍生出桥梁文化与美学通识课,让更多的学生掌握桥梁文化和美学知识,增强民族自豪感和文化自信。创新时代下,通过探索和实践桥梁美学课程的教学模式,为我校道路桥梁与渡河工程专业的教育教学质量稳步提升提供了保障,同时也为培养具备技术创新能力和美学素养的综合型创新人才奠定了基础。

    Abstract:

    It is very important to cultivate comprehensive talents with both bridge technical creativity and aesthetic innovation quality for the course construction of bridge aesthetics. To fulfill the basic task of cultivating talents with moral integrity, changing the traditional teaching mode and improving students’ interest and participation, the teaching mode of bridge aesthetics is actively explored in the era of innovation, in which the student-centered BOPPPS teaching design method is put forward and a reform oriented online and offline mixed teaching mode is established. Moreover, project-based teaching mode guided by engineering practice is carried out, and live broadcasting teaching guided by new technology is added. An infiltrative ideological and political teaching model of the course is established. The comprehensive application of these teaching methods improve students' sense of participation and acquisition in the classroom, cultivate students’ comprehensive thinking and innovation ability of the combination of bridge technology and art, and promote the richness and expressiveness of work design. In addition, the general course of bridge culture and aesthetics is derived from the professional course of bridge aesthetics, so that more students can master bridge culture and aesthetic knowledge and increase national pride and cultural self-confidence. Through the exploration and practice of the teaching mode of bridge aesthetics in the era of innovation, it provides a guarantee for the steady improvement of the education and teaching quality of students majored in road, bridge and river crossing engineering specialty, and a basis for the cultivation of comprehensive innovative talents with technical innovation ability and aesthetic literacy.

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引用本文

杨国俊,杜永峰,李万润,项长生,李喜梅,冯微,王英.创新时代下桥梁美学课程教学模式实践与探索[J].高等建筑教育,2024,33(3):154-162.

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  • 最后修改日期:2022-04-16
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  • 在线发布日期: 2024-05-14
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